siesta.ae
@siesta.ae
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v0.4 · in development
Don’t let the
upload ruin
the edit.
Every platform re-encodes what you send it. Shore hands their encoder a file it has almost nothing left to do, so the grade, the motion and the grain you spent all night on still exist when someone else presses play.
Tuned forTikTok
- 0+
- Files processed
540p · 30 fpsdrag4K · 120 fps
Same source frame. Left went up as a standard export and came back through the platform’s encoder. Right went through Shore first.
what it protects
Built around better motion.
Bitrate headroom
Shore sends a file far above the platform's delivery ceiling. Their rate control never has to choose what to throw away, so it throws away less.
Colour tagged, not guessed
bt709 primaries, transfer and matrix written explicitly. This is why your grade shifts on someone else's phone.
Frame rate matched
No 23.976 into a 30 fps pipeline. Motion cadence is preserved end to end.
Verified after encode
The output gets re-probed and checked against what was asked for. If a property didn't land, you see it before you upload, not after.
questions
The parts worth explaining.
It doesn't make the final file bigger — the platform re-encodes everything to its own delivery bitrate anyway. What matters is what you hand their encoder. Give it a file already near its target, with plenty of bitrate headroom, and its rate control has almost no hard decisions to make. Hand it a low-bitrate export and it compresses your compression. Shore removes that second squeeze.
Nothing lost in the crossing.
Drop a video, choose where it’s going, and download a ready-to-post file. Free to use.